Friday, January 28, 2011

Jade interviewed by Sweet Headache

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Jade is probably one of the most interesting Drum&Bass-artists right know. With a sound that is both rough and very dynamic, he managed to become well-known not only in his home city Budapest (Hungary), but also around the world.
Let’s start with a current mix by Jade:

Download Link // Tracklist

Jade got infected with the Drum&Bass virus when he was fleeing from a blizzard in 2000 and ended up in a club where he heard that sound for the first time. He started producing his own tracks soon after that.

His current “Venom LP” is packed with bass-heavy Drum&Bass that has become his signature sound. However, there are also a few tracks that stick out. “The Fool” and “Strip 03″ are just two examples that show what else he can do. Being always curious about what thoughts lead to good music, I asked Jade about his influences and intentions for his sound:

“I grew up on Kemal, Ed Rush & Optical, Usual Suspects, Bad Company, so I guess that inspiration shaped my production as well. I never write music thinking it should sound like anything. It’s always about the joy of creating music. Acutally it would be cool to produce music without any boundaries, no genre, just to express what’s inside. In reality, that’s not possible. I have to walk on the path to make my name consistent, to make ‘Jade’ stand for something. It would be impossible to build a fan base with inconsistent music.

The different genre tracks I put on the bonus CD of my album proves that, those didnt recieve a big response. 3 different genre, 3 different audiences. Most of the people are not universal music listeners, they have a style they like, plus some big bands like Red Hot Chili Peppers. However, I saw an opportunity, and I put some different music on the CD for the open minded people to see what I am about musically.”

Apart from having released over 50 productions so far, many probably know him for his remix of the theme from the movie “Pulp Fiction”:

“I don’t exactly remember how I got the idea, but I do know that I had it in mind long before I actually produced it. I even had a sketch with my then-clumsy skills. Years later, when I already released a few tunes on wax, I picked up the idea again and managed to meld it into a dance floor killer. Everybody knew the original, and it was somewhat connected to the underground through the number one cult movie of all times. A good idea with a good timing.”

Jade’s musical history also contains quite a few collaborations with Matt-U, who is also from Budapest. Jade explains how they met and work together:

“I met Matt-U in 2003. At the time I was working as a Drum&Bass promoter, and Matt had an idea to bring in some new, talented, but unknown artists. This escalated into the first ever Noisia party held. In just half a year they exploded and took the scene by storm. Meanwhile, we started producing with Matt together, and our first fruit of collaboration landed on the massive BSE imprint. Then we made it to Moving Shadow, P51, 1210 to name a few, it was really great to work with him. We always had different idea about the music, I was a dancefloor maniac back then, and he was always about the musical side, all the melodies, so as a result our works were perfectly balanced. Later he left Drum&Bass for Dubstep, but we still work together for time to time, for fun. Our first 3 tunes singe is coming out on LimeDubs very soon. Expect some slow but sweeping vibes!”

His success as a DJ and producer got Jade gigs around the world. While this is certainly the dream of many newcomer artists, you probably should love traveling to enjoy stories like this:

“I love travelling, and years of playing out and touring didnt change that fact. I always took my camera with me, and I always look at the world through curious eyes. However, sometimes it’s completely exhausting. A year ago I was playing in Wellington (New Zealand) as the last date of my tour with State of Mind, and Dose. Right after playing they took me to the airport, and after our sad goodbyes went to Auckland, where I was able to sleep for a few hours, then Auckland-Sydney-Bangkok-London-Budapest, followed by a nice sleep, then off to Russia, Budapest-Moscow-Vladivostok, back to the same +12 time zone that I was just in 2 days ago, but on the other hemisphere. That week I was flying over 70 hours, but it was absolutely worth it! Check out the pictures I made on facebook!”

My other favourite travel related story occurred only a month later, when i was playing in Calgary, Canada. On the plane, I was already suspicious, wondering why was the flight doing that loop around Iceland, and when I landed I was told about the volcano. I was stranded in Calgary for a week, and I couldn’t be more happy. The promoter crew was friendly, they took me on trips to the Rockies, we even went to an university lecture about the street art situation in Canada.”

During his travels, Jade also experienced how different local scenes can be in different parts of the world. One might think that everyone has access to more or less the same music, but the local preferences can still be pretty special:

“Over my travels what I saw is separation is very strong between countries, cities, and sometimes even different promoters in one city. In some cities there is no Drum&Bass at all. I played disappointing gigs in world wide famous metropolises, and I also played massive raves in small towns. I have a good example, recently I used to tend to finish my sets with the huge hit “The Bug” by Magnetic Man. In 2 different Slovakian towns it had the absolute opposite effect. First it was exploding, then it was a disaster.”

Jade has already seen quite a bit of the world’s dancefloors, and 2011 could be another big year for him:

“I’m looking at a 2011 full of promises, I hope most of them come true! Most importantly, I’m launching my own label eventually, it will be called ‘Eatbrain’. First 12″ already sent for test press. First single is Audio Hypnosis / Here We Go w/ State Of Mind. 2nd Single is going to be a remix EP of my album called Venom. Bookings are looking promising as well, hopefully USA, Canada, Japan, Australia, New Zealand will see me playing besides Europe.”

If you would like to know more about Jade and his music, you can find him on Facebook and SoundCloud.

Thanks to Scott who got me in contact with Jade!

Scott also does the booking for Jade in North America, so if you happen to live in the US or Canada and you love Drum&Bass, you might want to give this address to the booker of your favorite club:

Scott McCusker
Cyber Groove Productions/Artist Management
www.CyberGrooveAM.com
Scott@CyberGrooveProd.com
CyberGroove2k < AIM/Skype

Futurebound Vs Metrik - Brave New World / Sabotage

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Viper Recordings head-honcho Futurebound has teamed up with rising star Metrik, fresh off his acclaimed 'Departure EP' to deliver a smashing single 'Brave New World' / 'Sabotage' which will be released on Viper Recordings in March (VPR035). Having put together two absolute monster tracks, you would think the pair had worked together for years! This is truly a release where both sides are well deserving of the 'A' status!


You can check a preview of the tunes in Futurebound's D&BTV set on Drum & Bass Arena. More details to follow.

http://www.breakbeat.co.uk/dnbtv/watch/dbtv_live_130_viper_recordings.aspx

Sabotage is @ 2hrs 13m, Brave New World is at 2hrs 58m

Monday, January 24, 2011

Maztek mentioned in AEPH interview on BeatPortal

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AEPH INTERVIEW ON BEATPORTAL


Growing up in Rome, listening to the likes of Bad Company and Dillinja while rocking out in death metal outfits, leading the life of a big-time drum & bass producer and DJ was a far-off dream for Simone Vallecorsa, aka Aeph.

Fast forward to the present and Simone is living that dream. Having moved to London and signed up to Bad Company’s imprint (imaginatively titled Bad Taste Recordings), Aeph is highly regarded as one of the most talented up-and-coming producers within the hard-edged community. Read on to find out more, and don’t miss his new single, ”Bad Wolf / Scumbag,” out today on Bad Taste. You’ll find his new Beatport Top 10 at the bottom of the post.

Can you tell us a little about your background? Where did you grow up, and where are you based now?

I grew up in Rome. In 2000 I was really into rap and old-school electro beats. In 2003 I started playing with a metal band called In Cold Blood (the members are still my best mates in Italy) and I suddenly got fascinated by the drum & bass vibe, thanks to producers like Bad Company, Dillinja, Blame, and Concord Dawn.

In those days I didn’t write so many tracks because I was focused on the band and on my sound engineer job, but I bought a pair of CDJs and I spent hours on them. Then I met some local scene promoters and they introduced me as a DJ in Linux Club, a really popular club in the Italian d’n’b movement. That experience was great and it helped me to understand my real vocation. In 2008 I moved to London, and now I’ve been here for three years. This city allows you to do what you really want to do.

What was one of the most influential records that got you into making music?

There are plenty of tunes that influenced my path, but the whole “Cybotron” EP by Dillinja was and it is still just too much. “Valve Sound” remains one of my favourite tunes ever.

How would you describe the music that you make?

It’s all about me, it’s just Aeph sound.

Did you have any mentors when you were starting out? Who helped you get established?

Arp Xp, Hlz and the Romastyle guys put their trust in me from the beginning, and I will always stop to thank them for the opportunities and the advice they gave me. I remember when Arp Xp was playing my first drum & bass tune on a radio show and talking about me—it was a great feeling.

How did you end up at Bad Taste Recordings?

I sent my track “Scumbag” to them, just for some feedback, and Jonas (Uman from Blokhe4d) was really into it. We decided to meet up at their place, and to my surprise I realised they are really down-to-earth guys. We always have a good time together talking about the scene and everything else. I’m so glad, and I feel lucky for that. I couldn’t ask for more.

When you sit down to make a track, what’s the first thing you typically do? How long does a track typically take you to make?

It depends; sometimes I start with a drum pattern or messing around with some VST, playing random chords or making basslines. Once I find the right riff I start to arrange the track straight away without thinking too much about how it sounds—but always trying to choose the right sounds that fit perfectly with the rest. This is probably the most difficult part. When a track takes more than four weeks to be finished, it means that there is something wrong. The tunes I arrange in two weeks are usually the best ones, because at the end they are still fresh and I’m not bored by them.

Where do you record?

I used to have my studio in the garage, but it was so freakin’ cold in winter time, so I moved it in the living room.

Do you currently have a favorite piece of gear/software?

I’m with Cubase 5 and I’m quite comfortable with it, especially for the audio editing. Native Instruments stuff is the best for the style of music I’m producing, but at the moment I’m really into MorphoX and the Tone 2 Gladiator VST. I’ve just bought a Liquid Mix from Focusrite and I’m also trying to get some nasty and stinky hardwares to step up my productions.

What two tracks are you playing out at the most at the moment?

“Contraire” by Neonlight, which is gonna be out on Bad Taste soon, and “Amigo” by Fourward.

What’s been your favourite gig as of late?

I’ve been in Puerto Rico recently and it was banging; I didn’t expect so many people, the place and the vibe were just perfect. Another wicked night was in Rome for the Get Numb Fest 2010 with Spor, Foreign Beggars, 2 Many DJs and many more. Sick vibe, huge crowd, and every time I play in my hometown in front of my people it’s a rare pleasure.

What other DJs and producers in your scene do you think deserve some more credit?

Hlz from Need For Mirrors is doing great. He knows what he’s doing, he just can’t write bad tunes. I hope my mates Dabs and Maztek will achieve what they deserve because they are kickass producers.

When you’re not listening to electronic music, what do you listen to?

I’m still a huge metal fan, and in my iPod I always have albums from Unearth, Lamb Of God, As I Lay Dying, Parkway Drive. I’m also a big consumer of movie soundtracks, especially the one from ‘70s/’80s. If I had to pick two names, I’d say Stelvio Cipriani and John Carpenter.

When you’re not making or playing music, what’s your preferred pastime?

Paying monthly for the gym that I never attend.

Tell us about your upcoming gigs and releases…

The next gig is gonna be in Granada, Spain, February 25. For anyone who might be interested, I’ve just joined the Diamond Society booking agency. About my forthcoming tunes, after the first Bad Taste release with Bad Wolf/Scumbag, there are two more tracks coming up on the mighty Bad Taste’s album volume 4, which is gonna be huge. Then, nothing is predictable.

Aeph Soundcloud

Friday, January 21, 2011

CGR_GV025 is up now!!! Mixed by Edward Bloom of The Omen w. Lil J Live on CG Radio (www.CyberGrooveRadio.com) from NC, USA

Last night was a rocker, held down like every 3rd Thursday of the month Featuring Edward Bloom of The Omen with guests.

Last night Edward had the North Carolina native Lil J which is the first DJ you will hear on the mix, then Edward takes over after that. Enjoy the sounds of CG Radio North Carolina Edition!

CGR_GV025 - Download/Stream

Subscribe to the podcast so you don't miss any of our show plus mixes that we come across and push out via our podcast, but more importantly don't forget to check out our weekly live show on Global Vortex Radio - all info about the show is

http://www.cybergrooveradio.com

1st Thursdays - Winnipeg Edition hosted by Dj Sw@t
2nd & 4th Thursdays - Philly Edition hosted by DJ Seraph
3rd Thursdays - North Carolina Edition hosted by Edward Bloom of The Omen

Then when we get those odd 5th Thursdays - that'll be random...

Cheers!!

Scott @ Cyber Groove

Thursday, January 20, 2011

Paul T & Edward Oberon's "The Time" supported on Crissy Criss 1Xtra Show

Crissy Criss - 1Xtra D&B M1X Show (01/20/2011)

DOWNLOAD



This week Crissy digs out all the recent DnB remixes in his box and manages to fit 27 into a 1 hour mix. Crissy’s Ace Of Clubs track this week is from Chase & Status plus there’s new tracks from Disaszt, Nu:Tone, Tyke, Jayline & Vapour!

Tracklist:

Fred V & Graphix – One Of Those Days
L Plus – Yellow Star
DisaZt & High Maintenance – Try Me Again
Vapour – Ignition
Ruffstuff & Jayline – Radium Rays
David Boomah – Rispect the Champion Crissy VIP
Lenzman & Switch – Ice Cold Soul
Camo & Krooked – Shoreless
Noisia – Displaced

ACE OF CLUBS

Chase & Status – Hocus Pocus

Crystal Clear – Contact
Fineprint & Jayline – Laughter to Tears

REMIX MIX

Wretch 32 – Traktor (Brookes Brothers Remix)
DJ SS – We Came To Entertain (Subfocus Remix)
Hadouken! – Oxygen (Alix Perez Remix)
Coolhand Flex – Whip Lash (Gold Remix)
Serum – Souped up (Heist Remix)
Ram Trilogy – Gridlock (Break Remix)
Danny Byrd – We Can Have It All (Sigma Remix)
ASides – Punks (2010) Remix
Hoax – Be The Music (Mutated Forms Remix)
Tom and Jerry – All Of My (Aries Remix)
Topcat – Special Deadication (Sigma Remix)
DJ Die & Interface – Bright Lights (Netsky Remix)
Noisia – Split the Atom (Ed Rush & Optical Remix)
Dub Z – Escape Plan (Indivision Remix)
Origin Unknown – Lunar Bass (Commix Remix)
The Funktion – Gyrator (Icicle Remix)
Greenlaw – Less Of A Star (Original Sin Remix)
Zero G – Soundclash (Subzero Remix)
Nu Elements & Decimal Bass – The Thing (Supreme Being Remix)
Afrojack – Take Over Control (Drumsound & Bassline Smith Remix)
BTK – Things I Do (Spectrasoul Remix)
Document – Forgive Me (Heist Remix)
Rusko – Hold On (Subfocus Remix)
Wretch32 – Tracktor (Friction Remix)
Professor Green – Just Be Good To Green (Camo & Krooked Remix)
Rowney & Propz – Hold Me (Heist Remix)
Spy – By Your Side (Logistics Remix)
Tyke – The Music Makers VIP
Nu:Tone – Shine In
Eski B – Visitation (Jayline Remix)
Disaszt & Simon – Snakey
DJ Vapour – Won’t Let You Feel
Panik & Yox – Ground & Pound
Inteligent Mannors – Everbody Knows
Mutt & Visionary – 4 You
Muwookie – Got 2 Have
Paul T & Edward Oberon – The Time
Dave Owen – Loose Lips
Roni Size – Heroes
Adam F – Music In My Mind

Wednesday, January 19, 2011

Prolific Presents "The Takeover Tour" Promo Mix!!!

To support "The Takeover Tour" Prolific mixed this up for you, the fans, so check out below when it's hitting your city and make sure your in the front row killin it!!

BOOOMM!



Download/Stream

1. Intro Prolific Free
2. Crim - Bullfight
3. Bison - Get Back
4. Dubzap - Brutal
5. 6blocc vs. Tim Ismag - Saturnus VIP
6. Bison - The District
7. Zubcore - Creationism
8. Substacja - Ghirkin Rave Massive
9. Mind Killa - OMFG
10. Mind Killa - Mighty Healthy
11. Tim Ismag - Demo Man
12. Tim Isamg - Hobgoblins
13. Prolific ft. a6 - Hype the Room (Tim Ismag Remix)
14. Substacja - Daddy Freddy
15. Tonnie Fox - Bat
16. Substacja - Hidden Places
17. Glyph ft. Makism - Black Sun
18. STHS - The Descent

Dates are still available for this tour so hit us up for available dates!!

Contact
Scott @ Cyber Groove
Scott@CyberGrooveProd.com